“I studied engineering and was in a rough place during my studies. I’ve always loved drawing and decided to take an art class and it changed my life. Art has been my greatest hobby since and continues to be an outlet for me. I’ve mostly worked in factories and manufacturing settings and I’ve always loved machinery. I find old, rusty industrial equipment aesthetically beautiful in a wabi-sabi kinda way. Conversely, being in nature is my other great passion, which is what drew me to ArteSumapaz.”
From: Pennsylvania, USA
Artistic Preference or Outlets: Mixed media
Three Words: Cleansing; Peaceful; Stimulating
Most Beloved Memory at ArteSumapaz: A percussive jam session on the patio under incredible stars. Great music, people, conversations, and overall time well spent
Kirsty Nicoll is a Scottish artist based in Leiden, The Netherlands. She graduated from Leith School of Art in July 2021. Prior to this, she received an MA in Art History from Glasgow University in 2017. Since leaving university in 2017, her main focus has been travelling, working at a seasonal job in London between trips. In 2019, a month-long residency at ArteSumapaz reignited her love for art and led her to apply to art school. She has a background in textiles, designing and selling fabric at her family’s linen mill in Fife.
Artistic Preference or Outlets: Painting, analogue photography, silk screen printing
Three Words: Enlightening; Nourishing; Grounding
Most Beloved Memory at ArteSumapaz: Watching the sunsets over the gorgeous mountain view together every night.
Born in northern France into a musical family, Antoine Sugita began studies in piano at the age of four. Winner of a competition in contemporary music interpretation at ten, he completed his studies at the Conservatoire de Lille with Alain Raes. Antoine’s passion for improvisation became clear with time, and his music has been chosen for several short films. Filled with a warm and peaceful atmosphere, Antoine is now focusing on both music production and composition. A new album will be launched beginning of 2022 with the purpose of showing many facets of his music.
From: Lille, France
Artistic Preference or Outlets: Music
Three Words: Trust; Simplicity; Balance
Most Beloved Memory at ArteSumapaz: The simplicity of Ric and I sharing both Christmas and New Year’s Eve by ourselves, with good food, beers and a chess board
“As a ‘new artist’, I was in this new phase of sharing my music, the open/true heart and speech of Ric, really accompanied me in this journey of launching my first album of improvisations. As a symbolic act, I put Ric’s favorite improvisation (of mine) in the album, called Grateful. Ric also made the cover of my album! This experience could not have been better.”
Poppy Litchfield is an artist whose work examines the passing of time and its interaction with environment and human experiences. Working across the mediums of print, installation and video she aims to engage audience with interactive and event-based work. She received her BSc in Psychology, Durham University, before working in artist residency spaces. Central to her work is an ethos on communality, considering how space can change and facilitate exchange. Poppy is currently doing a Post Graduate Diploma in Fine Art at Chelsea College of Art.
From: Derby, United Kingdom
Artistic Preference or Outlets: Print, installation, video
Three Words: Connecting; Nurturing; Community
Most Beloved Memory at ArteSumapaz: Countless kitchen moments preparing food together whilst dancing in the kitchen.
Canadian cellist/composer George Crotty’s inquisitive eclecticism embraces fiddle-derived ornamentation, the agile one-finger gestures of Indian classical music, adapted electric guitar techniques, and the bold articulations of jazz bass. One half of the Loose Roots Duo with West Coast fiddler Gabriel Dubreuil, and leader of his titular world-jazz inflected Trio, the Toronto-based Crotty’s modernist genre-bending is heavily influenced by his hometown’s vibrant pluralism.
From: Toronto, Canada
Artistic preference or outlets: Cello, improvisation, performance, recording
Three Words: open; heart; presence
Most beloved memory at ArteSumapaz: a viaje under the stars
“Rick, Pedro, and the current residents when I visited pre-covid were so warm, generous, encouraging. I cherish the experience, and look forward to visiting again.”
Since the 1950s, millions of Colombians fled the country primarily motivated by the violence and economic upheaval, in what’s been called the Colombian Diaspora. Today, the US hosts over 650,000 Colombians, along with over 300,000 second generation US-Colombians. Many Colombian-US artists have been making the trek back to Colombia to reconnect with the land of their parents and grandparents. We recently had the opportunity to interview three of those artists who spent time in residence at ArteSumapaz; Nicole Combeau, Camilo Cardenas, and Isabel Balcazár.
With his intimate performance piece Mochilero, US-Colombian experimental artist Camilo Cárdenas reminds us that identity is fluid, widely auto-constructed and an ongoing process, rather than a completed state. Mochilero took place during the Colombian COVID-19 lockdown at the artist residency ArteSumapaz, (located a three hour drive from Bogotá) and is still available for viewing online in summary (length: 15 minutes).
Outside at midnight I suddenly notice, not far from the terracotta porch, a slender ladder.
Its silver quenched with days of harvest, it waits forgotten under the mandarin tree. Feet sunken, shallow anchors in a lake of dark grass. Its head bathing in moonlight.
Above it, Mandarin lampions dimmed by evening’s veil. Faded orange chronographs in a country indifferent to seasons. But gravity still pulls. Fructose hourglass. Oval clocks ripening to tell us how much time has passed.
Name: Edwin Fabian Herrera Place of residence: La Plata/ Argentina Occupation: Cinematographer Age: 31 Met in: Fondation ArteSumapaz, Colombia / October 2019 Contact: firstname.lastname@example.org/ @laherramientadenarancuchi